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Alan Moore
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INTRODUCTION
UNSEEN SUPREME
NEW JACK CITY PGS 1-8
By Alan Moore and Rick Veitch
SELECTED WRITINGS
"HOLY SMOKE"
"MAII.23.HOR.6.POST MERIDIEM. MORTIAK."
SCRIPTS
"THE MIRROR OF LOVE"
1963
WHAT HAPPENED TO THE ANNUAL?
INTERVIEW WITH AFFABLE AL
PERFORMANCE ART
THE BIRTH CAUL
By Alan Moore, David J, Tim Perkins
THE MOON AND SERPENT GRAND EGYPTIAN THEATRE OF MARVELS
By Alan Moore, David J, Tim Perkins
BROUGHT TO LIGHT
By Alan Moore and Gary Lloyd
BOOKSTORE ALAN MOORE BOOKS AVAILABLE FROM GraphicNovels.com
LINKS
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MAD LOVE PUBLISHING
AARGH
'THE MIRROR OF LOVE'
MAD LOVE PUBLISHING
AARGH
'THE MIRROR OF LOVE' (8 PAGES)
PAGE 1,
(PANEL) 1.
OKAY, THIS STRIP HAS FIVE PANELS IN EXACTLY THE SAME LAYOUT UPON EACH
PAGE: THERE ARE FOUR HORIZONTAL PANELS DOWN THE LEFT HAND SIDE OF EACH
PAGE AND A TALL VERTICAL ONE DOWN THE RIGHT. SINCE I'VE HAD TO FIT THE
ENTIRE OF KNOWN GAY HISTORY FROM PREHISTORIC TIMES ONWARDS INTO EIGHT
PAGES, THERE ARE ABOUT TWO HUNDRED AND TEN WORDS ON EACH PAGE AND SOME
RATHER LARGE CAPTIONS. SINCE THERE ARE NO BALLOONS I FIGURE YOU'LL BE
ABLE TO LAY OUT THE PANELS TO ACCOMODATE THESE. THE HORIZONTAL PANELS
ALL RECOUNT SCENES AND EVENTS FROM GAY HISTORY, WHILE THE VERTICAL
PANELS ARE DIFFERENT. USING BEARDSLEY'S HERMAPHRODITE ANGEL FROM HIS
PICTURE 'THE MIRROR OF LOVE', WHAT WE DO IS SHOW TWO SUCH FIGURES
AGAINST A BLACK BACKGROUND, RENDERED IN SOME FASHION THAT HEIGHTENS THAT
SENSE OF PRE-RAPHAELITE CLASSIC SENSIBILITY. THE TWO FIGURES ARE
IDENTICAL WINGED ANDROGYNES WITH DUAL GENITALIA AND THEY ARE ALWAYS
POSITIONED ALMOST PERFECTLY SYMMETRICALLY IN THE TALL PANELS SO THAT
THEY MIGHT BE MIRROR IMAGES OF EACH OTHER, EXCEPT IN THE PANELS WHERE
THEY PHYSICALLY INTERLOCK. THE HORIZONTAL HISTORICAL PANELS COULD MAYBE
BE DONE WITH A DUOTONE BOARD OR SOMETHING, TO DIFFERENTIATE THEIR RUGGED
HISTORY IN FEEL FROM THE ETHEREAL PANELS WITH THE WINGED, ANGELIC
HERMAPHRODITES AT PLAY. IMAGINE IT IN A SORT OF E.C. DOCUMENTARY STYLE,
ALTHOUGH RENDERED BY ONE OF THEIR MORE EXPERIMENTAL ARTISTS, LIKE
KRIGSTEIN OR SOMEBODY. SEE WHAT YOU THINK, ANYWAY, AND I'LL OBVIOUSLY
LEAVE THE FINAL STYLISTIC DECISIONS IN YOUR MORE-THAN-CAPABLE HANDS.
RIGHT..THIS FIRST PANEL IS A SEA BED SHOT, SHOWING TWO DOLPHINS AT PLAY.
THEY ARE SWOOPING DOWN PLAYFULLY TO GRAZE THE OCEAN'S SANDY BOTTOM
BEFORE SWOOPING UP AGAIN IN A GRACEFUL CURVE. THEY SWIM SO THAT ONE IS
SLIGHTLY BEHIND THE OTHER, BACK TO BELLY ALTHOUGH PERHAPS NOT QUITE
TOUCHING, THEIR BROAD HEADS THROWN BACK AS THEY SWOOP BY WITH THEIR
BELLIES TOWARDS US, A CLOUD OF DISTURBED SEDIMENT BILLOWING UP WHERE
THEY GRAZE THE OCEAN BED. THEY MIGHT BE MATING OR JUST PLAYING... WE
CANNOT BE SURE, BUT ON THEIR FLAT CETACEAN FACES THEY WEAR WIDE INHUMAN
SMILES, ECSTATIC IN THE DEEP-SEA TWILIGHT, SILVER BUBBLES RISING ALL
AROUND.
CAP. : Even preceding landfall, things loved freely once, ignoring
gender. Blind desire made pond-slime fish, turned fish to apes with
sex, life's glorious engine, churning in the mud.
CAP. : The animals remember: Dolphins still rotate their matings between
their own sex and its reverse, their raptures echoing for miles.
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