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Alan Moore
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INTRODUCTION
UNSEEN SUPREME
NEW JACK CITY PGS 1-8
By Alan Moore and Rick Veitch
SELECTED WRITINGS
"HOLY SMOKE"
"MAII.23.HOR.6.POST MERIDIEM. MORTIAK."
SCRIPTS
"THE MIRROR OF LOVE"
1963
WHAT HAPPENED TO THE ANNUAL?
INTERVIEW WITH AFFABLE AL
PERFORMANCE ART
THE BIRTH CAUL
By Alan Moore, David J, Tim Perkins
THE MOON AND SERPENT GRAND EGYPTIAN THEATRE OF MARVELS
By Alan Moore, David J, Tim Perkins
BROUGHT TO LIGHT
By Alan Moore and Gary Lloyd
BOOKSTORE ALAN MOORE BOOKS AVAILABLE FROM GraphicNovels.com
LINKS
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MAD LOVE PUBLISHING
AARGH
'THE MIRROR OF LOVE'
PAGE 2.
(PANEL) 1. (FROMOVER)
OF THE MEN SHOWN HERE TO LOOK EFFEMINATE. THE LAUGHING MEN ABSORBED IN
THEIR JOKE IN THE NEAR B/G CAN MAYBE BE A LITTLE PORTLY AND RED-CHEEKED,
THE STIGMATA OF WEALTH, BUT THE GUY IN THE F/G STARING MEANINGFULLY AT
THE SERVING BOY LOOKS AS IF HE WRESTLES A COUPLE OF CRETAN BULLS BEFORE
BREAKFAST. THERE ARE NONE OF THE SHORTHAND SIGNS THAT WE HAVE COME TO
ASSOCIATE WITH GAYNESS VISIBLE AT ALL, SINCE BACK THEN THERE WAS SIMPLY
NO CONCEPT OF HOMOSEXUALITY AS AN IDENTITY OR MODE OF BEHAVIOUR: THERE
WERE JUST INDIVIDUAL ACTS. HERE, THE ADONIC LIKE YOUNG PRINCE IN THE F/G
STARES AT THE SERVING BOY AS THE MEDITERRANEAN SUN BEATS DOWN BLINDINGLY
UPON THE WHITE MARBLE OF THEIR SURROUNDINGS.
CAP. : We loved while great mediterranean cultures flourished, their
homoerotic urges troubling them not at all.
CAP. : Regarding man-boy love as civilized, the Greeks and Romans made
it thus a badge of class and rank within their careful edifice of power.
(PANEL) 2
NOW WE SHOW THE SPARTAN ARMY AT WAR. AT CENTRE PANEL A SPARTAN
FOOTSOLDIER STANDS FACING US AS IF WE WERE SOME ENEMY RUSHING TOWARDS
HIM ACROSS THE MISTY, DUSTY BATTLEFIELD. HE HAS HIS SWORD OR SPEAR
RAISED ANGRILY TO FEND US OFF OR KILL US IF HE CAN AND HIS FACE IS A
MASK OF IMPLACABLE PROTECTIVE FURY, LIKE THE FACE OF A SHE CAT WHOSE
YOUNG ARE THREATENED. IN HIS FREE HAND, CLUTCHED TO HIS BREAST HE
SUPPORTS A YOUNGER, WOUNDED COMRADE WHO PERHAPS HAS AN ARROW IN HIS SIDE
OR JUST A SPEAR WOUND. THE YOUNGER MAN HANGS LIMPLY, HELD PROTECTIVELY
AGAINST THE ARMOURED CHEST OF HIS COMRADE/LOVER WHO STANDS READY TO
DEFEND THE INJURED MAN, WITH ANGRY TEARS RUNNING DOWN HIS WAR-SCORCHED
CHEEKS EVEN AS THE MUSCLES RIPPLE LETHALLY IN HIS SWORD ARM. THESE
SPARTANS WERE TERRIFYING SONS OF BITCHES WHO WOULD FIGHT TO THE DEATH
WITH A FEROCITY THAT LESS EMOTIONALLY MOTIVATED FOES COULDN'T MATCH, SO
TRY TO GET OVER THE SAMURAI SAVAGERY OF THE EMOTION IF YOU CAN. BEHIND
AND BEYOND THE TWO F/G FIGURES WE SEE OTHER COMBATTANTS STUMBLING
AROUND WOUNDED OR GRAPPLING, HAZY GRAY FIGURES SHROUDED BY THE MIST OR
THE DUST OF BATTLE. STAINED WITH HIS DYING LOVERS BLOOD THE SPARTAN
SOLDIER STARES AT US WITH WHITE HOT EYES, PREPARED TO FIGHT AND DIE.
CAP. : The Spartan army ventured further: Male love was enforced,
producing soldiers who'd defend their frontline lovers to the death.
CAP. : Demanding tougher breeds, they exposed infants to the elements,
paticularly girls. Perhaps because of this, by the time Rome invaded
there were only sixteen Spartans left.
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