#597321 - 05/06/12 03:36 PM
Re: The tools to create comics
[Re: Howard Simpson]
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Member
Registered: 05/08/00
Posts: 6915
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You may have used a number 2 in elementary school as a kid and HB is equivalent to that pencil. So you can keep using it to draw if you wish. But you may want to put your big boy pants on and do something bold; EXPERIMENT. Ironically, after considerable experimentation, I have discovered that the oversized Ticonderoga "My First Ticonderoga" ...  ...is perhaps my favorite drawing pencil. It's 2B, but the larger diameter lead makes it seem softer than what one would expect. Far more expressive than a standard skinny pencil, easier to grip and less stressful on the wrist. Very inexpensive and available almost everywhere. To get around erasing (and thus damaging inks), I draw on cheap paper, scan it into Photoshop, lighten it down to around 15% and then print on the good Bristol.
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"The trouble with being a ghost writer or artist is that you must remain anonymous without credit. If one wants the credit, one has to cease being a ghost and become a leader or innovator." — Bob Kane
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#597325 - 05/06/12 04:34 PM
Re: The tools to create comics
[Re: Allen Montgomery]
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Member
Registered: 08/14/05
Posts: 93
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You may have used a number 2 in elementary school as a kid and HB is equivalent to that pencil. So you can keep using it to draw if you wish. But you may want to put your big boy pants on and do something bold; EXPERIMENT. Ironically, after considerable experimentation, I have discovered that the oversized Ticonderoga "My First Ticonderoga" ...  ...is perhaps my favorite drawing pencil. It's 2B, but the larger diameter lead makes it seem softer than what one would expect. Far more expressive than a standard skinny pencil, easier to grip and less stressful on the wrist. Very inexpensive and available almost everywhere. To get around erasing (and thus damaging inks), I draw on cheap paper, scan it into Photoshop, lighten it down to around 15% and then print on the good Bristol. I've been thinking of this method as well.. What size bristol are you printing it out on?
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#597326 - 05/06/12 05:31 PM
Re: The tools to create comics
[Re: Real Hunter, Alll the time.]
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Registered: 08/14/05
Posts: 93
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I like using mechanical pencils or comic sequentials. I draw uber-detailed busy pages so it works for me, (I think).
For other things like drawing on my canvas, the hb, no.2 pencil works really well. The problem is I have to sharpen like six or seven cause I burn through them so quick.
I've found a handful of non-photo blue mechanical pencils I'm trying to use now, but find them hard to deal with, digging into the paper or too waxy. I am seriously considering Allen's approach.
I've tried the 4-H lead before but being heavy handed, I find I dig into the paper too much. It maybe easier to erase or draw over with it being a lighter lead visually but not if I carved into the damn thing. Then those lines are stuck like chuck.
I need to be able to glide and go fast as I'm an aggressive artist.
Allen's work seems to have an aggressive or heavy line quality as well. It'd be interesting to see what his stuff would look like if he did use a mechanical pencil?
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#597328 - 05/06/12 07:11 PM
Re: The tools to create comics
[Re: Real Hunter, Alll the time.]
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Registered: 05/08/00
Posts: 6915
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I've traditionally been opposed to drawing with a mechanical, because it gives such an inexpressive line. I bought a Pentel brush pen (*) last year and it came with a mechanical pencil that is 0.7mm rather than the typical 0.5mm. It gave a decent variance of line, so I picked up a couple of 0.9mm pencils (the largest mechanicals that I know of) and they're even better.
Printing on 11"x17" Strathmore 500 series, which is expensive to use for layouts.
(*) it has individual hair-like fibers in it rather than the oversized flexible Sharpie tip that frays after three uses. It's pretty good, but obviously not Winsor&Newton Series 7 good. Excellent if you want to brush ink when you're somewhere that having an open bottle of ink might be a problem.
_________________________
"The trouble with being a ghost writer or artist is that you must remain anonymous without credit. If one wants the credit, one has to cease being a ghost and become a leader or innovator." — Bob Kane
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#597347 - 05/07/12 02:58 PM
Re: The tools to create comics
[Re: Howard Simpson]
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Registered: 08/14/05
Posts: 93
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Is this a spambot?
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#597348 - 05/07/12 03:00 PM
Re: The tools to create comics
[Re: Real Hunter, Alll the time.]
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Registered: 05/08/00
Posts: 6915
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Starting to sound like it, eh? Cruise around to DW or Penciljack, I suspect you'll find the same posts.
_________________________
"The trouble with being a ghost writer or artist is that you must remain anonymous without credit. If one wants the credit, one has to cease being a ghost and become a leader or innovator." — Bob Kane
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#597350 - 05/07/12 03:08 PM
Re: The tools to create comics
[Re: Howard Simpson]
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Member
Registered: 05/08/00
Posts: 6915
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Clutch pencils use 2mm graphite refills Not all of them...  ... 5.5mm, man! Mechanical pencils have graphite refill sizes such as .3mm, .5mm and .7mm Never seen .3mm. Just looked it up, and apparently it does exist. Must be super fragile.
_________________________
"The trouble with being a ghost writer or artist is that you must remain anonymous without credit. If one wants the credit, one has to cease being a ghost and become a leader or innovator." — Bob Kane
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#597352 - 05/07/12 03:24 PM
Re: The tools to create comics
[Re: Allen Montgomery]
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Member
Registered: 08/14/05
Posts: 93
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Starting to sound like it, eh? Cruise around to DW or Penciljack, I suspect you'll find the same posts. You know? I plan on doing something about that soon actually.
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